Wednesday, December 7, 2011

I thought Myspace was dead?

A post from last week's the Los Angeles Times reports that Myspace, a fallen social networking site primarily used as a back-up site by musicians, is attracting advertisers with its new look and features.
....
"Myspace's rejuvenation will hinge on streamlining and simplifying the site and promoting its key asset: an extensive trove of music and videos from major-label and independent artists, its CEO says."

Myspace has kicked off what its new owners hope will be its comeback tour.

The site's senior executives joined with creative partner Justin Timberlake in outlining plans Monday to return Myspace to its musical roots. Their presentation for top advertisers gathered at Radio City Music Hall in New York was followed by a VIP concert whose lineup included contemporary artists Far East Movement, Natasha Bedingfield and B.o.B.

The splashy promotional affair came three months after Irvine advertising firm Specific Media bought Myspace for $35 million and touted Timberlake's ability to lend cachet to the once-dominant social network that long ago lost its magnetism. But charisma alone won't bring sexy back to Myspace, which over the last three years has been upstaged by its innovating chief rival, Facebook Inc.

Myspace's rejuvenation will hinge on streamlining and simplifying the site and promoting its key asset: an extensive trove of music and videos from major-label and independent artists and unsigned acts.

"The great thing is pretty much everybody knows about Myspace, but the favorable opinion of Myspace has fallen off," Specific Media and Myspace Chief Executive Tim Vanderhook said in an interview. "For that to happen, it's about the product and the experience."

Social media experts expressed skepticism that Myspace could orchestrate a successful second act — a feat that has eluded other faded Internet titans such as America Online and Yahoo Inc.

"I've been working in online since 1994, and there's no such thing as a comeback," said Jay Baer, president of Convince & Convert, a social media consultancy. "There are reconstitutions, there are name changes, there are strategic shifts. But in terms of somebody essentially committing user-satisfaction suicide and somehow sewing their wound shut, it's never happened."

There's no question Myspace has been bleeding. It attracted 33 million U.S. visitors in August, a precipitous 44% drop from a year earlier and well off its peak of 76 million users in 2008, according to measurement firm ComScore Inc. Revenues are in a similar free fall. Once at the top of the social network food chain with $604 million in global advertising revenue, researcher EMarketer estimates that Myspace will bring in just $183.5 million this year.

"I know there's tremendous amounts of skepticism — if I were on the outside, I'd be skeptical too," Vanderhook said, conceding that such a turnaround "has never been done before."

Yet Vanderhook, who founded Specific Media in 1999 with his brothers Chris and Russell, insists the situation is not as bleak as it appears. He said Myspace's audience of about 70 million worldwide users is larger than it was in 2005, when the social network was on a growth trajectory and News Corp. paid $580 million for it. He said traffic has stabilized, after taking hits from a failed repositioning of the site last year as an entertainment destination and the subsequent damage inflicted by rumors of its impending sale.

Vanderhook said the Specific Media team has taken stock of Myspace's assets and examined ways to repair a user experience that he termed "terrible."

"To find a song is clunky. It's very, very tough to move around. It's an overall bad experience," he said. "One of the things we're focused on is simplicity."

Myspace is working to improve the site's navigation, eliminate clutter and simplify social networking features, such as the ability to comment on a music video. Vanderhook sees Myspace's competitive edge as its ability to marry the elements of community with its rights to stream 42 million songs free of charge.

"Underneath all of that clutter, we have a strong equity in pop culture and an equity in music," said Al Dejewski, Specific Media's senior vice president of global marketing. "We feel fairly confident we can rebuild this property."

Myspace co-founders Chris DeWolfe and Tom Anderson had the same insights about the social network's strengths in 2008, when they launched MySpace Music — a joint venture with the major record companies that allowed users to instantaneously stream songs, assemble playlists and post them to their public Myspace profile page, where friends could listen too. The initiative failed to meet the labels' expectations.

Turning back the clock on Myspace, to the time when it was the place people went to discover music and emerging acts went to get noticed, is the first step toward recovery. Dejewski said Myspace plans to create original programs rooted in music — say, a dance show that not only demonstrates new moves but also encourages users to submit their videos showcasing their own choreography.


As a side note, I just found out that I still have a Myspace from 2004- how embarrassing, since I'm not in a band.


http://articles.latimes.com/2011/oct/04/business/la-fi-ct-myspace-20111004

Will Young Talks Twitter

http://youtu.be/N5Vejxv0OWo?t=47s

The Roots go interactive

Rolling Stone reports...

http://www.rollingstone.com/culture/blogs/gear-up/the-roots-release-interactive-app-to-complement-concept-album-undun-20111130

Seminal hip-hop outfit and live jam band The Roots will debut a new app tomorrow designed to provide an interactive complement to new concept album undun, due out on December 6th. A mix of interviews, lyrics, music video snippets and images, the application will delve deeper into the mythos surrounding the short life of fictional character Redford Stephens, around whose tale the record is based.

Designed to elaborate further upon the faux inner city youth’s troubled life, the app will let viewers delve deeper into the events leading up to and precipitating the fallen drug dealer’s untimely demise. Serving as a multimedia complement to the album, a reverse narrative whose songs memorialize key moments in Stephens’ life that precursor his temptation and eventual fall, the program should provide fans added story perspective. Helping further deconstruct the character’s relationships, choices and motivations, its use of high-tech set pieces is designed to provide deeper understanding of, and emotional resonance with, the tale.

The album is currently available for live streaming online at NPR, and drummer Ahmir "?uestlove" Thompson recently told PBS that the concept piece is designed to provide the act’s work with a "unifying theme" and "experiential quality." One of a growing breed of new applications, e.g. those by Sting and Bjork, designed to pair images and interactive surprises with words and music, it could help the morality play take on even more unexpected dimensions.

By the way I bought this album and their song The OtherSide is the bomb.com.

Monday, November 21, 2011

Google Music is up and running

Google announced yesterday that their new application, Google Music is now available to the public. Could be good; could be bad...you decide. Check out what they have to say.

Monday, November 14, 2011

SM Success: Lana del Rey

http://www.independent.co.uk/arts-entertainment/music/reviews/lana-del-rey-scala-london-6264024.html

As YouTube sensations go, Lana Del Rey is champagne to Justin Bieber's 60p soda. The singer from New York has built a fanbase of twentysomething hipsters who are a totally different species from the "Beliebers" after gaining more than six million hits on the website for her single "Video Games" in a matter of months.

A couple of thousand of these stood waiting to hear Del Rey for over an hour at the Scala, before being treated to a set consisting of eight songs that lasted just over 30 minutes. Well, that's what you get when you pay to see an artist who is so new she hasn't released an album yet.

The Del Rey hype machine has been in overdrive for months bringing much unfair criticism with it. Bloggers moan that she is inauthentic, that her image is manufactured and that her YouTube success is the result of a careful PR campaign rather than "real" homemade web promotion. It is hard to know what is true, but live onstage Del Rey's talent and searing vocals are hard to dismiss.

One or two excellent songs, which plaintively demand why "dangerously flawed" men don't love her as much as she adores them, provide flashes of brilliance that make one suspect this artist has the potential to reach the dizzy heights of stardom.

It is difficult to discuss Del Rey, real name Lizzy Grant, without mentioning her appearance. She has all of the sex appeal of a golden era Hollywood starlet. She resembles Brigitte Bardot and uses Jessica Rabbit-esque simpering to seduce her audience.

This grates after a while, but I seem to be the only one to care as the hollers and wolf whistles attest. Del Rey spun through "Born To Die", "Blue Jeans" and "Million Dollar Man" before rewarding the audience with "Video Games" six songs in.

Deviating from the prevailing bruised and introspective themes, Del Rey finished with the more traditionally poppy "Off to the Races". Apologising "for what seems like a short set", she left us wanting more. And didn't return for an encore.

Last week, Lana's track

Her hit Video Games now has over 10 million views and Blue Jeans has over 3.2 million. Where would she be without the power of Social Media?

A World of Digital Exposure

Here's an interesting view of social media's influence in the music industry from musicians themselves. Learn the advantages of using digital platforms and social media for band exposure.


Monday, October 24, 2011

Make it or break it : Social Media and Music

Facebook-+-Music1.jpg

Breaking into the music industry has changed, with artists no longer relying on old-school tactics to try and land a record deal. Technology has disrupted the music industry like bands incorporation custom interactivity through google maps in their Music Videos. Social media is just one aspect of technology that can be used to try and make that break into the music industry. It is proving to be a key ingredient in publicity and fan coverage.

MySpace used to be the social networking site of choice for aspiring artists. The once popular site has been attributed to launching the careers of Lily Allen and Soulja Boy, as well as boosting sales of already established artists. But, MySpace dropped 10 million unique visitors at the start of 2011, bringing users down to 63 million compared to Facebook’s 500 million users.

Seeing how Lady Gaga has over 31 million likes on Facebook, yet only 1.5 million “friends” on her MySpace, it is clearly no longer the most appropriate tool for aspiring artists trying to break into the music industry though it won’t necessarily hurt you if you do create a profile.

Depending on your genre of music, you might find that using specialist sites like ReverbNation or Bandcamp that fit the image of your band more than a mainstream Facebook or Twitter approach. But, considering it’s a numbers game and the more track listens or video views you land equates to a perceived popularity, you’d be crazy to ignore Facebook.

BandPage is definitely the must-have Facebook app to use if you want to be taken seriously in the music industry. It’s free, so you don’t have to worry about any costs, although you can upgrade to BandPage Plus for a reasonable $1.99 a month.

BandPage is Facebook Page where artists can add tracks (with the option for fans to listen, download and buy) and add bookings. I've seen a bands website where you had to like them or be a fan of them before you could listen to their tracks. This Using Facebook means that your fans can also share your content with friends, spreading word of mouth about you, and helping to increase your chance of breaking into the music industry.

Lastly Social Media connects bands to fans (and vice versa) from all over the world and for little to no cost. This is especially important for upcoming bands that may not have the budget to hire an agent or publicist. You may just want to make music, but there’s more than just talent required to be successful in the music industry.

Straight from the Cottontail's mouth

This video from WinkSound, features electro-pop musician and Hey Girl Hey's Music & Trends expert, Roxy Cottontail, who describes the use of social media and her success. Deejay and music producer Afrojack made a remix of her track "Bounce Little Kitty", which brought an explosion of popularity to her music after using social media as a platform to promote it. Cottontail explains that social media platforms have allowed her to expand her network and her business. While the song and video may be a bit strange or incongruous, it has become quite the hit in dance clubs around the nation. Take a look at what she has to say...


Wednesday, October 5, 2011

The New Way To Launch an Album

unlocked image

Rihanna, a pioneer in the new new phenomenon of an album launching through the release of UNLOCKED, an interactive Facebook app that lets fans uncover the album, Talk That Talk, detail by detail. Here's how it works: Users “Like” the page and then go on “missions” to uncover content released by Rihanna’s label, Island Def Jam. When certain “offers” reach a tipping point, the content becomes available. For example, fans were asked to submit a certain amount of fake lyrics to earn the lyric sheet for Rihanna’s album. Other unlocks so far include Rihanna’s new “R” logo, the single “We Found Love,” Rihanna’s new website, album release date and album cover.

Since the app’s launch in late September, UNLOCKED has received some staggering numbers. At time of writing, the project has given Rihanna nearly 1 million new Twitterfollowers and created more than 2.5 million tweets (a 445% increase from before UNLOCKED was launched). The project has also given Rihanna more than 700,000 Facebook fans with an estimated 208 million Facebook impressions.

Rihanna’s huge social presence is probably one of the reasons UNLOCKED has been such a success in the first place. Rihanna had the most fans of any celebrity on Facebook and ranked highly on Twitter as well. UNLOCKED requires a certain amount of built-in loyalty and a threshold of participation to work.

The unlocked content includes standard fare, like new single releases and a website, which would have been released with or without the app. The team behind UNLOCKED realized the real reward was social, rather than physical.

UNLOCKED is also a smart way to engage Rihanna’s fans while she’s on tour or taken up with other press engagements. The app lets users feel like they’re interacting with Rihanna, by unlocking special content and helping promote her album.


Wednesday, September 28, 2011

Fitz and the Tantrums



AUSTIN, 2011, Fitz and the Tantrums

Fitz and the Tantrums

"We Don't Gotta Work It Out"

Their hit song Money Grabber is no comparison to their track : "Dont gotta work it out". from thier album Songs for break up Volume 1 (2010). Despite their newness to the music scene, they have a very historic and soulful sound.

Here's a link to a live performance of Fitz and the Tantrums . They are definitely one of those bands that you have to see in concert. It's not just a good music, its an energetic, interactive show.

I shot this photo at the 2011 ACL Festival, in Austin tx





Wednesday, September 21, 2011

Trying something new...

So Originally I started this blog as an "how social media influences music" blog, but it just wasn't working for me, so I thought i'd delve into my creative side and post pictures that i've taken and match a song to it, or what song I think would be a good fit to the sentiment behind the photo (not that I'm a pro or anything). That would be pretty cool though...hey kristin what do you do for a living?.. oh you know, I'm a professional photo-song matcher, no biggie.

Anyway this is my first post trying this concept out, so bare with me.


Listen:

Link to: Lyrics Chords

Because I'm still in love with you, on this Harvest moon.

I find this appropriate due to the whimsical, love-suck feelings that arise from this shot. A nice romantic sunset over the town bridge. Water flowing, warm summer breeze, complemented by a beautiful piece of nature, a bright golden sunflower.




Monday, September 19, 2011

Why Bands Need Social Media

If you are reading this you must have some sort of interest. But how much do you really know about “Social Media”? I would argue that if you want to make it as a band, your success will depend on your abilities in Social Media,even more then how big the marketing budget from your label is.

Social Media is really all about branding and marketing. It’s a brilliant opportunity to take a bigger part of how the band is presented, to form the image and to communicate directly with the audience. I know some people are sceptics, but what is it you really want to achieve as a band? When you release an album your goal should be to play concerts and with that meet the audience. And Social Media platforms allows us to interact with the audience we can’t reach in concert.

Use of Social Media platforms puts focus on the different generations. People aged 16- 24 have a way of using Social Media that the previous generations have problems understanding. And come to think of it, most of the bigger bands and label executives are not in this age.

The older generations are trying to cope, but for most people this means having 400 friends on a Faceboook profile that they check every lunch-break. And the lack of interest also makes it hard to keep up with the development: “Why do I need a Facebook profile, I already have a Myspace profile”, was a mantra 3-4 years ago. Now already it has changed to “Why Twitter, I use FB” and in near future it will be “Why Google+, I use Twitter”!

In a few years, this generation of young people will be the older generation, and Social Media platforms will be far more important then it is today even.

It takes some work to do this with the media, like every other process to build up a company or a band. I have been long enough in music-business to know that a band that consists of only brilliant musicians who think about nothing else then their music, will go nowhere!

Monday, September 12, 2011

FB, the New Myspace?

FACEBOOK is Taking over the world! Just kidding, but seriosly facebook is said to team up with Spotify, MOG, and Rdio, making in it the total social-networking package, by delving into a major part of American culture-- music.

Rumors have been circulating for quite some time that the company wants to launch a music service for facebookers. Accroding to Mashable, Facebook might partner with Spotify, MOG, and Rdio in the next month.

According to the report, Facebook is likely to announce this new music platform at the f8developer conference on September 22. The platform will provide this service, but in a different manner than other providers. Facebook will not hot or stream the actual music, but rely on their partners for media conent.


Sunday, September 4, 2011

What Lies Beneath Beyonce's Purple Sparkly Jacket

A new Twitter record has been set. No it's not the Women’s World Cup, Japan’s New Year or news about Osama bin Laden’s death. The award for the most tweets per second (TPS) ever recorded for a a single event is all thanks to Beyonce's pregnancy announcement at the 2011 MTV Video Music Awards.

That's right, Beyonce's preggers. This long-rumored announcement began tweeting frenzy that Beyonce's announcement hosted 8,868 tweets per second at 10:35 p.m. on Sunday.

She reportedly told a that she was expecting on the red carpet, before the show. Then, after her performance on stage, she unbuttoned her jacket and rubbed her belly, announcing to the world on live TV of her pregnancy.

No word yet on when the baby is due, but some sources are speculating she's about 4 months along.

Checkout Beyonce's Performance of 'Love on Top' followed by the big reveal: