Wednesday, December 7, 2011

I thought Myspace was dead?

A post from last week's the Los Angeles Times reports that Myspace, a fallen social networking site primarily used as a back-up site by musicians, is attracting advertisers with its new look and features.
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"Myspace's rejuvenation will hinge on streamlining and simplifying the site and promoting its key asset: an extensive trove of music and videos from major-label and independent artists, its CEO says."

Myspace has kicked off what its new owners hope will be its comeback tour.

The site's senior executives joined with creative partner Justin Timberlake in outlining plans Monday to return Myspace to its musical roots. Their presentation for top advertisers gathered at Radio City Music Hall in New York was followed by a VIP concert whose lineup included contemporary artists Far East Movement, Natasha Bedingfield and B.o.B.

The splashy promotional affair came three months after Irvine advertising firm Specific Media bought Myspace for $35 million and touted Timberlake's ability to lend cachet to the once-dominant social network that long ago lost its magnetism. But charisma alone won't bring sexy back to Myspace, which over the last three years has been upstaged by its innovating chief rival, Facebook Inc.

Myspace's rejuvenation will hinge on streamlining and simplifying the site and promoting its key asset: an extensive trove of music and videos from major-label and independent artists and unsigned acts.

"The great thing is pretty much everybody knows about Myspace, but the favorable opinion of Myspace has fallen off," Specific Media and Myspace Chief Executive Tim Vanderhook said in an interview. "For that to happen, it's about the product and the experience."

Social media experts expressed skepticism that Myspace could orchestrate a successful second act — a feat that has eluded other faded Internet titans such as America Online and Yahoo Inc.

"I've been working in online since 1994, and there's no such thing as a comeback," said Jay Baer, president of Convince & Convert, a social media consultancy. "There are reconstitutions, there are name changes, there are strategic shifts. But in terms of somebody essentially committing user-satisfaction suicide and somehow sewing their wound shut, it's never happened."

There's no question Myspace has been bleeding. It attracted 33 million U.S. visitors in August, a precipitous 44% drop from a year earlier and well off its peak of 76 million users in 2008, according to measurement firm ComScore Inc. Revenues are in a similar free fall. Once at the top of the social network food chain with $604 million in global advertising revenue, researcher EMarketer estimates that Myspace will bring in just $183.5 million this year.

"I know there's tremendous amounts of skepticism — if I were on the outside, I'd be skeptical too," Vanderhook said, conceding that such a turnaround "has never been done before."

Yet Vanderhook, who founded Specific Media in 1999 with his brothers Chris and Russell, insists the situation is not as bleak as it appears. He said Myspace's audience of about 70 million worldwide users is larger than it was in 2005, when the social network was on a growth trajectory and News Corp. paid $580 million for it. He said traffic has stabilized, after taking hits from a failed repositioning of the site last year as an entertainment destination and the subsequent damage inflicted by rumors of its impending sale.

Vanderhook said the Specific Media team has taken stock of Myspace's assets and examined ways to repair a user experience that he termed "terrible."

"To find a song is clunky. It's very, very tough to move around. It's an overall bad experience," he said. "One of the things we're focused on is simplicity."

Myspace is working to improve the site's navigation, eliminate clutter and simplify social networking features, such as the ability to comment on a music video. Vanderhook sees Myspace's competitive edge as its ability to marry the elements of community with its rights to stream 42 million songs free of charge.

"Underneath all of that clutter, we have a strong equity in pop culture and an equity in music," said Al Dejewski, Specific Media's senior vice president of global marketing. "We feel fairly confident we can rebuild this property."

Myspace co-founders Chris DeWolfe and Tom Anderson had the same insights about the social network's strengths in 2008, when they launched MySpace Music — a joint venture with the major record companies that allowed users to instantaneously stream songs, assemble playlists and post them to their public Myspace profile page, where friends could listen too. The initiative failed to meet the labels' expectations.

Turning back the clock on Myspace, to the time when it was the place people went to discover music and emerging acts went to get noticed, is the first step toward recovery. Dejewski said Myspace plans to create original programs rooted in music — say, a dance show that not only demonstrates new moves but also encourages users to submit their videos showcasing their own choreography.


As a side note, I just found out that I still have a Myspace from 2004- how embarrassing, since I'm not in a band.


http://articles.latimes.com/2011/oct/04/business/la-fi-ct-myspace-20111004

Will Young Talks Twitter

http://youtu.be/N5Vejxv0OWo?t=47s

The Roots go interactive

Rolling Stone reports...

http://www.rollingstone.com/culture/blogs/gear-up/the-roots-release-interactive-app-to-complement-concept-album-undun-20111130

Seminal hip-hop outfit and live jam band The Roots will debut a new app tomorrow designed to provide an interactive complement to new concept album undun, due out on December 6th. A mix of interviews, lyrics, music video snippets and images, the application will delve deeper into the mythos surrounding the short life of fictional character Redford Stephens, around whose tale the record is based.

Designed to elaborate further upon the faux inner city youth’s troubled life, the app will let viewers delve deeper into the events leading up to and precipitating the fallen drug dealer’s untimely demise. Serving as a multimedia complement to the album, a reverse narrative whose songs memorialize key moments in Stephens’ life that precursor his temptation and eventual fall, the program should provide fans added story perspective. Helping further deconstruct the character’s relationships, choices and motivations, its use of high-tech set pieces is designed to provide deeper understanding of, and emotional resonance with, the tale.

The album is currently available for live streaming online at NPR, and drummer Ahmir "?uestlove" Thompson recently told PBS that the concept piece is designed to provide the act’s work with a "unifying theme" and "experiential quality." One of a growing breed of new applications, e.g. those by Sting and Bjork, designed to pair images and interactive surprises with words and music, it could help the morality play take on even more unexpected dimensions.

By the way I bought this album and their song The OtherSide is the bomb.com.

Monday, November 21, 2011

Google Music is up and running

Google announced yesterday that their new application, Google Music is now available to the public. Could be good; could be bad...you decide. Check out what they have to say.

Monday, November 14, 2011

SM Success: Lana del Rey

http://www.independent.co.uk/arts-entertainment/music/reviews/lana-del-rey-scala-london-6264024.html

As YouTube sensations go, Lana Del Rey is champagne to Justin Bieber's 60p soda. The singer from New York has built a fanbase of twentysomething hipsters who are a totally different species from the "Beliebers" after gaining more than six million hits on the website for her single "Video Games" in a matter of months.

A couple of thousand of these stood waiting to hear Del Rey for over an hour at the Scala, before being treated to a set consisting of eight songs that lasted just over 30 minutes. Well, that's what you get when you pay to see an artist who is so new she hasn't released an album yet.

The Del Rey hype machine has been in overdrive for months bringing much unfair criticism with it. Bloggers moan that she is inauthentic, that her image is manufactured and that her YouTube success is the result of a careful PR campaign rather than "real" homemade web promotion. It is hard to know what is true, but live onstage Del Rey's talent and searing vocals are hard to dismiss.

One or two excellent songs, which plaintively demand why "dangerously flawed" men don't love her as much as she adores them, provide flashes of brilliance that make one suspect this artist has the potential to reach the dizzy heights of stardom.

It is difficult to discuss Del Rey, real name Lizzy Grant, without mentioning her appearance. She has all of the sex appeal of a golden era Hollywood starlet. She resembles Brigitte Bardot and uses Jessica Rabbit-esque simpering to seduce her audience.

This grates after a while, but I seem to be the only one to care as the hollers and wolf whistles attest. Del Rey spun through "Born To Die", "Blue Jeans" and "Million Dollar Man" before rewarding the audience with "Video Games" six songs in.

Deviating from the prevailing bruised and introspective themes, Del Rey finished with the more traditionally poppy "Off to the Races". Apologising "for what seems like a short set", she left us wanting more. And didn't return for an encore.

Last week, Lana's track

Her hit Video Games now has over 10 million views and Blue Jeans has over 3.2 million. Where would she be without the power of Social Media?

A World of Digital Exposure

Here's an interesting view of social media's influence in the music industry from musicians themselves. Learn the advantages of using digital platforms and social media for band exposure.


Monday, October 24, 2011

Make it or break it : Social Media and Music

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Breaking into the music industry has changed, with artists no longer relying on old-school tactics to try and land a record deal. Technology has disrupted the music industry like bands incorporation custom interactivity through google maps in their Music Videos. Social media is just one aspect of technology that can be used to try and make that break into the music industry. It is proving to be a key ingredient in publicity and fan coverage.

MySpace used to be the social networking site of choice for aspiring artists. The once popular site has been attributed to launching the careers of Lily Allen and Soulja Boy, as well as boosting sales of already established artists. But, MySpace dropped 10 million unique visitors at the start of 2011, bringing users down to 63 million compared to Facebook’s 500 million users.

Seeing how Lady Gaga has over 31 million likes on Facebook, yet only 1.5 million “friends” on her MySpace, it is clearly no longer the most appropriate tool for aspiring artists trying to break into the music industry though it won’t necessarily hurt you if you do create a profile.

Depending on your genre of music, you might find that using specialist sites like ReverbNation or Bandcamp that fit the image of your band more than a mainstream Facebook or Twitter approach. But, considering it’s a numbers game and the more track listens or video views you land equates to a perceived popularity, you’d be crazy to ignore Facebook.

BandPage is definitely the must-have Facebook app to use if you want to be taken seriously in the music industry. It’s free, so you don’t have to worry about any costs, although you can upgrade to BandPage Plus for a reasonable $1.99 a month.

BandPage is Facebook Page where artists can add tracks (with the option for fans to listen, download and buy) and add bookings. I've seen a bands website where you had to like them or be a fan of them before you could listen to their tracks. This Using Facebook means that your fans can also share your content with friends, spreading word of mouth about you, and helping to increase your chance of breaking into the music industry.

Lastly Social Media connects bands to fans (and vice versa) from all over the world and for little to no cost. This is especially important for upcoming bands that may not have the budget to hire an agent or publicist. You may just want to make music, but there’s more than just talent required to be successful in the music industry.